Marvel comics used to have a very fun little set of short stories, called “What if …?” where parallel universes were explored, what might have happened if certain circumstances were different, like “What if the Fantastic Four got different powers?” or “What if someone else besides Spider-Man had been bitten by the radioactive spider?” or “What if Dr. Doom had become a hero?”
Well here at the Nugent bullpen, today we’re going to examine:
“What if … the Marvel Universe had been cast during Golden Age Hollywood?”
Last week, I put forward the case for Errol Flynn’s brilliance as a movie star.
Now here’s my little gift to you – a starter course of Ten of the Best of Errol’s Films. Pick out a few weeknights and a couple of Sunday matinees, and I believe within a few weeks, you’ll be in the Errol Club too (it’s great fun there, as you can imagine …)
For some reason, when people talk about the great movie actors, they never mention Errol Flynn. They’re wrong but I think I know why. His reputation as the rascal, the “In Like Flynn” womanizer, the hard-partying drinker whose Hollywood Hills home was self-titled “Cirrhosis by the Sea,” the man who would title his cheeky memoirs “My Wicked, Wicked Ways,” goes before him, and at best people regard him as a good-looking chap, with a decent handle on a sword, who got lucky and had a great nightlife, occasionally turning up to play the same part in a bunch of swashbuckling hokum. Okay, he may not be as transformative with accents and physicality as Daniel Day-Lewis, as deep-digging as Robert De Niro or as plainly bold as Marlon Brando, but Errol’s a very fine storyteller, with surprising empathy and vulnerability, and there’s no film star who, when watching his movies, makes me smile more or who gets me as giddy at the prospect of a good time as when I see Errol Flynn appear in the starting credits. In short, he’s one of my faves, and I’d like to try and tell you why.